We love superheroes. We hate supervillains.
Or do we?
Look at E! Entertainment Television's recent puff piece on the most common superhero-related search terms and we find something interesting. Numbers one through six are, predictably, super-babes. No way to tell exactly how many of those were image searches. Seventh on the list is the hero team calling themselves Michael & Collins; the college kid and his superpower-laden pooch. People are suckers for a dog.
Number Eight: Abel Hornsley. Don't recognize that name? It's the given name of the first hero to go by the moniker Jager, German for Hunter. Turns out, Hornsley would find more fame under his birth name as a super-powered serial killer. We, as a culture, prefer our serial killers with three names so, we've given him the popular designation, Abe Jager Hornsley. Look more familiar?
Hornsley's reign of terror went on for the better part of two years. His ability to hunt people by scent made him incredibly effective. His ability to drain the life energy of others through fear made him deadly.
Why did he do it? That is, perhaps, an unanswerable question. Abel Hornsley invented, in my humble opinion, the most fascinating legal defense in the history of law. While it hasn't been awarded a fancy handle, like The Twinkie Defense, I'm quite sure it will, given the increasing call for superhuman justice.
Abel Hornsley told the press, the judges, the prosecuting attorney, his own defense attorney and even, according to one newspaper report, his own sister that he had to consume the seventeen women he stalked and killed because he, "needed what they had to keep living." He went on to say, hangdog look fixed on the jury while he took the stand in his own defense, "You'll never know what it's like to be me, to have this hunger inside that won't go away unless you feed it. If I wouldn't have done what I did, I would have died. I would have starved to death."
Hornsley continues with a long, rambling speech wrapping up with haunting, some say touching, series of questions: "What would you do in my place? Choose to die so some stranger can live? What would you do?"
Is it Abel Hornsley's situation that fascinates us, or is it his final question? Do we hate Abel Hornsley? The answer is yes, we do, but only in the way that we hate all other supervillains with enough moxie to capture our imaginations; we love to hate them. They give our favorite superheroes meaning beyond the reality tv shows, product endorsements and mandatory public service. Without them, the media circus that plagues our televisions would be all clowns and no lion tamers. They're the essential element. They give this game teeth.
Am I saying we should be thankful for them? Yes. I think I am; speaking from the perspective of a generation who grew up watching a war being fought in the Middle East on television every night on television. We have superheros to save us from every conceivable tragedy, from terrorists to tsunamis. It's the supervillains that save us from boredom.
-Cheers,
B.H.
Sunday, February 17, 2013
Thursday, February 14, 2013
The Unkillable Man
Caleb Houston. He's it. He's where it all started: the world's first superhero. When I say unkillable, I mean exactly that-- not invulnerability like any of your iconic superheroes-- just a man who refused to die.
Some doubted in the beginning. After all, the human body is a miraculous machine; it an take an incredible amount of punishment. Still, there are limits. I remember watching the news on that first day. In today's world, where people with extranormal abilities are splashed across magazine covers, hosting television shows and leaking sex tapes to the media, I feel like I should say debut, but he wasn't like that. He was like an inner-city schoolbus driver from Chicago; and that's what he was doing on the day he became superhuman.
A gang of someones (some say Bloods, some say BPS, reports vary) shot up his bus, bad. He swerved, or someone swerved into him, and the bus ended up crashing. Shortly after that, you got the news cameras. They show Caleb, a black man in a torn, grey bus driver's uniform running into the burning bus two, three, four times, coming back out with a kid under each arm. He's fat and balding, black with graying hair. He's shorter than you'd expect, but he just won't quit.
Three minuets and change into the clip, a grainy bird's-eye from a traffic copter, you see this monster Cadillac roll by, way too fast. The Caddy's window shatters as someone inside lights up one side of the burning wreck, and the kids laying on the asphalt next to it, with an automatic weapon. Caleb throws himself in front of a kid--it's a scene from a movie--and you see dark patches appear on his uniform. They just happen, like they're special effects on his shirt or something.
Caleb lies there on the ground for a few seconds. The car speeds away. Everybody's just dumbstruck. Then he moves, he gets his elbows and knees under himself and pushes his weight up. If you watched it live, you never forget that feeling; half triumph and half disbelief. I got all hopped up on adrenaline and I was two thousand miles away.
I don't know if anyone even remembers him anymore. They probably forgot about him, just like they forgot about the soldier from the 1990s that went down over Bosnia, Scott O'Grady. Man was a hero and a national celebrity for all of ten minutes; until the next headline consigned him to the purgatory of stale fame. That's the public eye in America: myopic and wandering.
Caleb Houston, The Man Who Couldn't Die, had no costume or flashy name. He lives in obscurity now, though not the self-imposed exile one might expect. I suspect he's too dignified for that. Living far away from the world, telling them not to look in your direction, that's just a toddler making a show of ignoring his parents. Caleb Houston's above all that. And I, for one, thank him for his service and his style.
It's been 10 years to the day, St. Valentine's Day, since the tragedy that prompted him to leave the scene and I'm being honest when I say he left a void that hasn't come close to being filled.
Here's to you, Caleb, however you choose to spend your time.
-Cheers,
B.H.
Some doubted in the beginning. After all, the human body is a miraculous machine; it an take an incredible amount of punishment. Still, there are limits. I remember watching the news on that first day. In today's world, where people with extranormal abilities are splashed across magazine covers, hosting television shows and leaking sex tapes to the media, I feel like I should say debut, but he wasn't like that. He was like an inner-city schoolbus driver from Chicago; and that's what he was doing on the day he became superhuman.
A gang of someones (some say Bloods, some say BPS, reports vary) shot up his bus, bad. He swerved, or someone swerved into him, and the bus ended up crashing. Shortly after that, you got the news cameras. They show Caleb, a black man in a torn, grey bus driver's uniform running into the burning bus two, three, four times, coming back out with a kid under each arm. He's fat and balding, black with graying hair. He's shorter than you'd expect, but he just won't quit.
Three minuets and change into the clip, a grainy bird's-eye from a traffic copter, you see this monster Cadillac roll by, way too fast. The Caddy's window shatters as someone inside lights up one side of the burning wreck, and the kids laying on the asphalt next to it, with an automatic weapon. Caleb throws himself in front of a kid--it's a scene from a movie--and you see dark patches appear on his uniform. They just happen, like they're special effects on his shirt or something.
Caleb lies there on the ground for a few seconds. The car speeds away. Everybody's just dumbstruck. Then he moves, he gets his elbows and knees under himself and pushes his weight up. If you watched it live, you never forget that feeling; half triumph and half disbelief. I got all hopped up on adrenaline and I was two thousand miles away.
I don't know if anyone even remembers him anymore. They probably forgot about him, just like they forgot about the soldier from the 1990s that went down over Bosnia, Scott O'Grady. Man was a hero and a national celebrity for all of ten minutes; until the next headline consigned him to the purgatory of stale fame. That's the public eye in America: myopic and wandering.
Caleb Houston, The Man Who Couldn't Die, had no costume or flashy name. He lives in obscurity now, though not the self-imposed exile one might expect. I suspect he's too dignified for that. Living far away from the world, telling them not to look in your direction, that's just a toddler making a show of ignoring his parents. Caleb Houston's above all that. And I, for one, thank him for his service and his style.
It's been 10 years to the day, St. Valentine's Day, since the tragedy that prompted him to leave the scene and I'm being honest when I say he left a void that hasn't come close to being filled.
Here's to you, Caleb, however you choose to spend your time.
-Cheers,
B.H.
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